You can find more detailed production credits and reviews on platforms like MUBI or Letterboxd . AI responses may include mistakes. Learn more Karina, Objeto do Prazer (1982) - IMDb
The story follows Maria (played by ), a young woman from a poor fishing family in northeastern Brazil. In a desperate act of survival or greed, her father sells her to Rufino Xavier Monteiro, a smuggler and gambling entrepreneur. Rufino rebrands her as "Karina" and forces her into a life of prostitution and striptease at his establishment.
Her situation escalates when Lucas, a criminal associate of Rufino, becomes obsessed with her. During a poker game, Rufino loses Karina to Lucas as a bet. When she refuses to go with Lucas and is subsequently beaten by Rufino, she kills Rufino in self-defense and is imprisoned. While in jail, she meets a court-appointed lawyer, Sheila, who not only helps her legally but also enters into a passionate relationship with her. Cast and Creative Team Karina Objeto Do Prazer 1981
Critics have praised the film's beautiful cinematography and sophisticated music score, which includes a memorable scene featuring the voice of Nina Simone .
is a 1981 Brazilian erotic drama that stands as a significant entry in the "Boca do Lixo" cinema movement. Directed by Jean Garret, the film blends the popular eroticism of its era with deeper themes of social despair and female empowerment. Plot Overview You can find more detailed production credits and
Unlike standard pornochanchada (Brazilian softcore comedy), Jean Garret’s work is recognized for exploring the complexity of a patriarchal society and the harsh conditions faced by marginalized women.
While categorized as erotica, Karina, Objeto do Prazer is often noted for its cinematic quality and social commentary. In a desperate act of survival or greed,
The film features several prominent figures of early 1980s Brazilian cinema as seen on IMDb : as Karina/Maria Rosina Malbouisson as Sheila Luigi Picchi as Rufino Cláudio Cunha as Lucas (and Producer) Jean Garret (Director and Screenwriter) Critical Themes and Legacy