Until that can is opened, the Alexandra movie remains an exclusive secret, shared only among those who still believe in the magic of lost cinema. If you ever find a reel marked “Perez – Alexandra – DOP 1986 – DO NOT PROJECT,” guard it closely. Or better yet, lock it away.
However, in a vault in Santiago, Chile, a private collector has allowed us exclusive access to a 35mm workprint. The reel is scratched, the audio wavers, but the power of Perez’s performance remains undeniable.
Today, in this exclusive report, we dig deep into the vaults to uncover the truth behind the film, the enigmatic star, and why this lost 1986 picture has become the Holy Grail for underground movie hunters. To understand the "Alexandra" movie, you must first understand Angela Perez herself. Born in Buenos Aires in 1962, Perez was a classically trained dancer who pivoted to acting in the early 80s. Unlike the flashy stars of Argentine or Mexican telenovelas, Perez had a raw, almost European minimalist intensity. Critics compared her to a young Isabelle Huppert—cold, mesmerizing, and dangerous. angela perez alexandra 1986 movie exclusive
The trigger for these hushed conversations is the legendary, unreachable artifact known simply as the . No trailer. No DVD. No streaming link. Just posters, a few grainy photographs, and the fading memories of those who claim to have seen it.
She appeared in three small art-house films between 1982 and 1984, but none broke her into the mainstream. That was until producer Raul Mendes (known for the gritty Puna Winds trilogy) saw her in a off-Broadway production of Yerma . Mendes reportedly said, “She has the eyes of someone who has already died and come back. That is what we need for Alexandra.” The Angela Perez Alexandra 1986 movie exclusive was not just another slasher or romance. It was a psychological thriller set against the backdrop of the post-Falklands War era, a time of national grief and paranoia in Argentina. Until that can is opened, the Alexandra movie
Because according to Angela Perez herself, some faces are not meant to be remembered. Have you seen a screening of the Angela Perez Alexandra 1986 movie? Do you own a copy of the script or a poster? Contact our exclusive tip line. Your identity will remain protected. The hunt continues.
Artists have recreated the porcelain mask. Musicians have sampled the film’s lost synth score (composed by the late Juan Carlos Calderón). Fan forums dedicated to finding a digital copy have over 40,000 members. However, in a vault in Santiago, Chile, a
The plot, as pieced together from original shooting scripts obtained by this outlet, is startling: Alexandra (Perez) is a translator for a mysterious European diplomat (played by British character actor Clive Moran). She suffers from a rare form of prosopagnosia—face blindness. When she witnesses a murder in a Buenos Aires hotel, she cannot identify the killer because every face looks like a blur. The twist? The killer begins wearing a porcelain mask of her face. Alexandra must unravel the conspiracy while trusting no one, not even her own reflection. The script was written by first-time screenwriter Lidia Herrera, who reportedly based the character on her own struggles with identity and memory loss. The film was budgeted at $1.8 million—modest by Hollywood standards but massive for an independent Latin American production in 1986. Principal photography began in March 1986. Locations included the abandoned Alvear Palace Hotel annex and the gritty streets of La Boca. The production was notorious from day one.